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	<id>tag:ta-nehisicoates.theatlantic.com,2009://8/tag:ta-nehisicoates.theatlantic.com,2009://8.7217-</id>
	<updated>2009-06-08T03:23:17Z</updated>
	<title>Comments for Mos Def In Even Better Context</title>
	
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	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217</id>
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		<published>2009-04-03T14:00:00Z</published>
		<updated>2009-04-03T12:29:43Z</updated>
		<title>Mos Def In Even Better Context</title>
		<summary>I think these are two reasons why we love him. Dig him digging on Doom. And then dig him just murdering &quot;Two Words.&quot; &quot;These streets, No Game. Can&apos;t ball, Don&apos;t Play\Heavy traffic, one way, Everybody move...&quot; The best summary of...</summary>
		<author>
			<name>Ta-Nehisi Coates</name>
			
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			<![CDATA[I think these are two reasons why we love him. Dig him digging on Doom. And then dig him just murdering "Two Words." "<br /><br />These streets, No Game. Can't ball, Don't Play\Heavy traffic, one way, Everybody move..." The best summary of New York, I've ever heard. And of life in general.<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/zTBIvIDnnv8&amp;hl=en&amp;fs=1" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed src="http://www.youtube.com/v/zTBIvIDnnv8&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></object><br /><br />
<div><object width="420" height="339"><param name="movie" value="http://www.dailymotion.com/swf/x1std5" /><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always" /><embed src="http://www.dailymotion.com/swf/x1std5" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="420" height="339"></object><br /><b><a href="http://www.dailymotion.com/swf/x1std5">Kanye West w/ Mos Def &amp; Freeway - Two Words</a></b><br /><i>by <a href="http://www.dailymotion.com/channelzerotv">channelzerotv</a></i></div>]]>
			
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	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171286</id>

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		<title>Comment from Gramsci on 2009-04-03</title>
		<author>
				<name>Gramsci</name>
				<uri></uri>
		</author>
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				<![CDATA[<p>I don't know how much Doom should pay Mos Def for that endorsement, but it wouldn't be enough.</p>]]>
		</content>
		<published>2009-04-03T14:34:48Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171290</id>

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		<title>Comment from loquaciousmusic on 2009-04-03</title>
		<author>
				<name>loquaciousmusic</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p><a href="http://www.youtube.com/watch?v=MIZWYzdjmXw" rel="nofollow">"Tinseltown to the Boogiedown,"</a> a song off of Scritti Politti's <i>Anomie & Bonhomie</i> album, remains my favorite Mos Def cut.  And having Mos Def, Lee Majors, <i>and</i> Green Gartside together on a track?  Brilliant.</p>]]>
		</content>
		<published>2009-04-03T14:38:12Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171302</id>

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		<title>Comment from keith on 2009-04-03</title>
		<author>
				<name>keith</name>
				<uri></uri>
		</author>
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				<![CDATA[<p>Although Freeway, who obviously didn't get the memo on the theme to "Two Words", best answers the question which one of these is not like the other. My two on what he does to this track would be, almost ruined. </p>

<p><br />
That aside, the violin following him more than makes up for it. Everybody move...<br />
Mos Def at his best.</p>]]>
		</content>
		<published>2009-04-03T15:07:34Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171315</id>

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		<title>Comment from MikeCee on 2009-04-03</title>
		<author>
				<name>MikeCee</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>I can't listen to Kayne but Two Words = MoS Def.  Pure brilliance. </p>

<p>As soon as Hitch came out on the show I switched to something else because I knew what was gonna happen.  It don't even matter.  My opinion of Hitch is that he's still a dick and well Mos is still the greatest freestyle MC IMHO. Period.<br />
</p>]]>
		</content>
		<published>2009-04-03T15:26:06Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171336</id>

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		<title>Comment from duffman on 2009-04-03</title>
		<author>
				<name>duffman</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>Classic Mos about Hip Hop from Black on Both: </p>

<p>"Stimulant and sedative, original repetitive<br />
Violently competitive, a school unacredited<br />
The break beats you get broken with<br />
on time and inappropriate<br />
Hip Hop went from selling crack to smoking it<br />
Medicine for loneliness<br />
Remind me of Thelonius and Dizzy<br />
Propers to B-Boys getting busy<br />
The war-time snap shot<br />
The working man's jack-pot<br />
A two dollar snack box<br />
Sold beneath the crack spot<br />
Olympic spnosor of the black glock<br />
Gold medalist in the back shot<br />
From the sovereign state of the have-nots<br />
Where farmers have trouble with cash crops (woooo)<br />
It's all city like phase two<br />
Hip Hop will simply amaze you<br />
Craze you, pay you<br />
Do whatever you say do<br />
But black, it can't save you"<br />
</p>]]>
		</content>
		<published>2009-04-03T16:23:57Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171340</id>

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		<title>Comment from Destro Villain on 2009-04-03</title>
		<author>
				<name>Destro Villain</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>I always loved (and still do) Mos as an MC especially when he's going off like on these two tracks (and so many others). The more selfish side of me wishes he did only that and left all the other stuff alone.</p>]]>
		</content>
		<published>2009-04-03T16:35:31Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171364</id>

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		<title>Comment from hilts on 2009-04-03</title>
		<author>
				<name>hilts</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>What's with the rumor about Mos Def collaborating with Glenn Beck for his next CD?</p>

<p>Glenn Beck is paralyzed from the neck up and belongs in a straitjacket.</p>

<p>Before Beck is committed to a psych ward, I want to see a bloggingheads segment featuring Mos Def and Beck.</p>]]>
		</content>
		<published>2009-04-03T17:50:05Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171367</id>

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		<title>Comment from Lennox on 2009-04-03</title>
		<author>
				<name>Lennox</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>These streets <b><i>know</i></b> game....  </p>

<p>lyrical correctness is key</p>]]>
		</content>
		<published>2009-04-03T17:54:05Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171375</id>

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		<title>Comment from Lennox on 2009-04-03</title>
		<author>
				<name>Lennox</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>And that would be some of the illest shit ever wrote...</p>]]>
		</content>
		<published>2009-04-03T18:05:50Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171379</id>

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		<title>Comment from Lennox on 2009-04-03</title>
		<author>
				<name>Lennox</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>No doubt...  That problem was going around at the Roc (looking at you, jigga)</p>]]>
		</content>
		<published>2009-04-03T18:24:26Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171383</id>

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		<title>Comment from Lennox on 2009-04-03</title>
		<author>
				<name>Lennox</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>with Mos it's all about the words that aren't there... alot of time, he speaks in complete sentences, but chopped up. So this one is:</p>

<p>These streets know game <i><b>so if you</b></i> can't ball <b><i>then</i></b> don't play.</p>

<p>Obviously the full blow'd up version lacks a certain flow, so Mighty Mos streamlines it to the bones. His style like Spanish in that way.</p>]]>
		</content>
		<published>2009-04-03T18:35:07Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171387</id>

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		<title>Comment from justin_s on 2009-04-03</title>
		<author>
				<name>justin_s</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>I recently rediscovered "B-Boy Document '99," which is THE song (along with Jurassic 5's "Action Satisfaction," but lets not go there) that got me to rap music.  It still kills.</p>]]>
		</content>
		<published>2009-04-03T19:10:53Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171408</id>

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		<title>Comment from Mark Mays on 2009-04-03</title>
		<author>
				<name>Mark Mays</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>DOOM is always all caps, bruh.</p>]]>
		</content>
		<published>2009-04-03T21:27:19Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171414</id>

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		<title>Comment from keith on 2009-04-03</title>
		<author>
				<name>keith</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>I agree, thus the title "Two Words". Just the use of two word stanzas that convey a whole, complete thought is truly poetic. No one does it like Mos. You'll never convince that although this track is on Kanye's joint, I'll bet anything that Mos was the creative impetus for this song and the way it was presented(minus freakin Freeway of course). </p>]]>
		</content>
		<published>2009-04-03T22:31:16Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171416</id>

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		<title>Comment from Ta-Nehisi Coates on 2009-04-03</title>
		<author>
				<name>Ta-Nehisi Coates</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>Right. Because it couldn't possibly be...</p>

<p>"These streets (ARE) no game, (So if you) can't ball (then) don't play..."</p>

<p>Great art works on all kinds of levels. It could be either interpretation. Why is one more right than the other? The last thing hip-hop needs is "lyrical correctness." Or correctness of any kind.</p>]]>
		</content>
		<published>2009-04-03T22:35:42Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171424</id>

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		<title>Comment from Hill Rat on 2009-04-03</title>
		<author>
				<name>Hill Rat</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>TNC,</p>

<p>Where is the post on the new DOOM?  Have you heard it yet? -HR</p>]]>
		</content>
		<published>2009-04-04T00:17:16Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171446</id>

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		<title>Comment from Lennox on 2009-04-04</title>
		<author>
				<name>Lennox</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>Well put. I can definitely agree with that.</p>]]>
		</content>
		<published>2009-04-04T09:44:18Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171454</id>

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		<title>Comment from trevortb on 2009-04-04</title>
		<author>
				<name>trevortb</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>Just to tie the thread that connect Mos and DOOM and Mos's appearance on Bill Maher (before the embarrassing online extra portion):</p>

<p>"It cost billions to blast humans in half / Into calves and arms, only one side is allowed to have bombs / That's like making a soldier drop his weapon / Shootin' him, and tellin' him to get to steppin'"</p>]]>
		</content>
		<published>2009-04-04T15:53:26Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171455</id>

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		<link rel="alternate" type="text/html" href="http://ta-nehisicoates.theatlantic.com/archives/2009/04/mos_def_in_even_better_context.php#comment-171455" />
		<title>Comment from Gramsci on 2009-04-04</title>
		<author>
				<name>Gramsci</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>I think if you took Glenn Beck to court he'd be his own star witness.</p>]]>
		</content>
		<published>2009-04-04T15:57:56Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171459</id>

		<thr:in-reply-to ref="tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171454" type="text/html" href="http://ta-nehisicoates.theatlantic.com/archives/2009/04/mos_def_in_even_better_context.php#comment-171454"/>
		<link rel="alternate" type="text/html" href="http://ta-nehisicoates.theatlantic.com/archives/2009/04/mos_def_in_even_better_context.php#comment-171459" />
		<title>Comment from Ta-Nehisi Coates on 2009-04-04</title>
		<author>
				<name>Ta-Nehisi Coates</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>Obviously, they came to portion up his fortune<br />
Looks to me like that old robbery\extortion...</p>]]>
		</content>
		<published>2009-04-04T17:03:56Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171491</id>

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		<link rel="alternate" type="text/html" href="http://ta-nehisicoates.theatlantic.com/archives/2009/04/mos_def_in_even_better_context.php#comment-171491" />
		<title>Comment from Antid Oto on 2009-04-05</title>
		<author>
				<name>Antid Oto</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>I think comparing De La Soul to Steely Dan may be the smartest thing I've heard anyone say about them ever.</p>]]>
		</content>
		<published>2009-04-05T07:21:06Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171496</id>

		<thr:in-reply-to ref="tag:ta-nehisicoates.theatlantic.com,2009://8.7217" type="text/html" href="http://ta-nehisicoates.theatlantic.com/archives/2009/04/mos_def_in_even_better_context.php"/>
		<link rel="alternate" type="text/html" href="http://ta-nehisicoates.theatlantic.com/archives/2009/04/mos_def_in_even_better_context.php#comment-171496" />
		<title>Comment from geo on 2009-04-05</title>
		<author>
				<name>geo</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>i had no idea there was a video for Two Words!</p>]]>
		</content>
		<published>2009-04-05T15:10:36Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171518</id>

		<thr:in-reply-to ref="tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171383" type="text/html" href="http://ta-nehisicoates.theatlantic.com/archives/2009/04/mos_def_in_even_better_context.php#comment-171383"/>
		<link rel="alternate" type="text/html" href="http://ta-nehisicoates.theatlantic.com/archives/2009/04/mos_def_in_even_better_context.php#comment-171518" />
		<title>Comment from Kinowolf on 2009-04-05</title>
		<author>
				<name>Kinowolf</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>"His style like Spanish in that way."</p>

<p>I love that line.  I'm copping it.</p>]]>
		</content>
		<published>2009-04-06T00:00:51Z</published>
	</entry>

	<entry>
		<id>tag:ta-nehisicoates.theatlantic.com,2009://8.7217-comment:171519</id>

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		<title>Comment from Kinowolf on 2009-04-05</title>
		<author>
				<name>Kinowolf</name>
				<uri></uri>
		</author>
		<content type="html" xml:lang="en" xml:base="">
				<![CDATA[<p>This is the Mos I love.  I wish he would act and speak in public engagements the way he does in private like this.  The last few years he's been getting caught up in pushing back and posturing.  It's a bad look, but we know the real Mos is better than that.</p>]]>
		</content>
		<published>2009-04-06T00:03:15Z</published>
	</entry>

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